Quotable Quotes from Kingsley’s Water-Babies

Front board, Cotsen 15234

Front board of The Water Babies. [London: Hodder and Stoughton for] Boots the Chemists, [1919] (Cotsen 15234), with design of Tom the water baby enjoying aquatic sports.

A revered professor in the UCLA English Department used to say that when a person could rattle on confidently about a book–preferably an uncontested masterpiece like Hamlet or Ulysses–without having ever cracked it open, only then could the degree of  Ph.d be conferred.

Charles Kingsley’s The Water-Babies (1863) is one of those books I expected to fake for the rest of my unnatural life.   When asked to serve on the advisory board of the Grolier 100 Books Famous in Children’s Literature project I did not confess my ignorance, knowing that Brian Alderson would wrangle The Water-Babies entry, having edited the Oxford World Classics edition.   This month I was finally obliged to fetch the book from the basement, where it had been languishing for some time, and read it from cover to cover  without benefit of pictures, either.

Page 17, Cotsen 39124

Page 17, The Water-Babies. London: Philip & Tacey, Ltd., [1955] (Cotsen 39124). Tom was a chimney sweep before being transformed into a water baby. Here he stumbles into a village school, where he sees for the first time children working at their lessons.

I’m happy to say that The Water-Babies lived up to its reputation as one of the most peculiar children’s books ever written and some of the passages about the rearing and educating of children are worth sharing.  All quotations are from the 1995 Oxford University Press paperback edited by Brian Alderson, of course.  If you have a tender stomach, Kingsley’s indelicate sense of humor may not be your cup of tea.

Here is the hideous and not entirely benign fairy Mrs. Be-Done-By-As-You-Did, who visits the water-babies on Fridays. When pleased with them, she gives “them all sorts of nice sea-things–sea-cakes, sea-apples, sea-oranges, sea-bullseyes, sea-toffee; and to the very best of all she gave sea-ices, made out of sea-cows’ cream, which never melt under water.”

[161] Tipped-in plate, Cotsen 15234

[161] Tipped-in plate of Mrs. Be-Done-By-As-You-Did by Jessie Willcox Smith, (Cotsen 15234)

The real business of the day is to “call up all who have ill-used little children, and serve them as they served the children….And first she called up all the doctors who give little children so much physic (they were most of them old ones; for all the young ones have learnt better, all but a few army surgeons, who still fancy that a baby’s inside is much like a Scotch grenadier’s), and she set them in a row; and very rueful they looked, for they knew what was coming.

And first she pulled all their teeth out; and then she bled them all round; and then she dosed them with calomel, and jalap, and salts and senna, and brimstone and treacle; and horrible faces they made; and then she gave them a great emetic of mustard and water, and no basons; and began all over again; and that was the way she spent the morning” (Chapter V, p. 109).

This second excerpt is less savage, unless you happen to be in the children’s book publishing business.  During his journey to the Other-end-of-Nowhere, the hero Tom visits a number of remarkable places.

“And first he went through Waste-paper-land, where all the stupid books lie in heaps, up hill and down dale, like leaves in a winter wood; and there he saw people digging and grubbing among them, to make worse books out of bad ones, and thrashing chaff to save the dust of it; and a very good trade they drove thereby, especially among children” (Chapter VIII, p. 157).

Last but not least is an excerpt from Tom’s sojourn in the Isle of the Tomtoddies:

“And when Tom came near it, he heard such a grumbling and grunting and growling and waiting and weeping and whining that he thought people must be wringing little pigs, or cropping puppies’ ears, or drowning kittens: but when he came nearer still, he began to hear words among the noise, which was the Tomtoddies’ song which they sing morning and evening, and all night too, to their great idol Examination–“I can’t learn my lesson: the examiner’s coming!”  And that was the only song they knew….

Then he looked round for the people of the island: but instead of men, women, and children, he found nothing but turnips and radishes, beet and mangold wurzel, without a single green leaf among them, and half of them burst and decayed with toadstools growing out of them.  Those which were left began crying to Tom, in half a dozen different languages at once, and all of them badly spoken, “I can’t learn my lesson; do come help me!”  And one cried, “Can you show me how to extract this square-root?”  And another, “Can you tell me the distance between Lyra and Camelopardalis?”  And another, “What is the latitude and longitutde of Snooksville, in Noman’s County, Oregon, US?” (Chapter VIII, p. 165)

Page 202, Tomtoddies vignette, Cotsen 34543

Harold Jones’s illustration of the Tomtoddies imploring Tom to stop and help them. Page 202, The Water Babies. London: Victor Gollancz Ltd., 1961 (Cotsen 34543)

This post may squelch most people’s desire to read Kingsley, but perhaps a few will be curious to dip into a story dubbed by its author as “all a fairy tale and only fun and pretense,” that was one of the great children’s best-sellers of all time.  It’s never too late for a Kingsley revival???  For more babies who love the water, take a look at the exhibition https://blogs.princeton.edu/cotsen/tag/water-babies/

Page 15 vignette, Cotsen 15234

Tom talking to his friend the lobster as imagined by Jessie Willcox Smith. Page 15 vignette, (Cotsen 15234)

 

 

 

 

 

 

 

Here’s a Ball for Baby

Cotsen 31857

Baby’s Ball. New York: Art Fabric Mills, 1900 (Cotsen 31857)

I’ve been working on processing collections material that needs to be moved out of a space that will be demolished during the renovation. Much of this material is unprocessed, otherwise under-described, or not accessioned. It’s been tedious work, but I’ve managed to blow the dust off some great items and uncover some diamonds in the rough.

One such surprisingly delightful item has been Baby’s Ball (pictured above), which I came across the other day. It’s a stuffed textile ball which includes a nursery rhyme accompanying 6 lithographed illustrations. The initial record for the item didn’t have much information. But after some careful sleuthing, Andrea and I were able to discover a lot about this Victorian baby toy.

Each illustration is accompanied by 2 descriptive lines of verse, one above and one below the image. We started our investigation when Andrea noticed that this nursery rhyme was vaguely familiar:

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“Here’s a ball for baby, nice and soft and round / here’s the baby’s hammer, hear the baby pound / here’s the baby’s soldiers, standing in a row / here’s the baby’s trumpet, hear the baby blow / don’t take the ball away, to make baby cry / here’s the baby’s cradle, to rock baby by”

At first, we found several versions of the rhyme on the web, but no attribution or history. It was most commonly referenced as a finger play, a nursery rhyme or other simple song that one also performs with hand motions. Itsy Bitsy Spider is probably the most familiar example. Frustratingly, though the song appears so well known, we couldn’t locate it in any of our reference books on early nursery rhymes.

But then we finally hit pay dirt! Andrea found that the original version of the nursery rhyme is attributed to Emilie Poulsson in her book, Finger plays for nursery and kindergarten (Boston : Lothrop Publishing Company, c1893) under the title “All For Baby”. This book, it just so happens, is in the Cotsen collection:

finger plays cover

Front cover, Finger Plays for Nursery and Kindergarten. Boston: Lothrop Publishing Company, c1893 (Cotsen 86551)

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Though we were able to learn more about the ball’s verse by locating a related item from Cotsen’s own collection; this didn’t help use discover any information about the toy’s manufacture. That information came from a much less likely source: eBay.

While looking for information on our Baby’s Ball, I stumbled across an auction listing for: Antique Dated 1900 Art Fabric Mills Cloth Rag Doll BABY’S BALL Rare Uncut NR yqz. At first it didn’t look pertinent. But after scrolling down the page I realized that the item for sale was an original uncut cloth pattern sheet for the very same ball now in our collection. From this eBay listing, we were not only able to learn about the manufacturer and dates of the item, but that it was probably stitched together and stuffed at home, after the purchase of the uncut sheet.

Below, I’ve Included 2 pictures from that eBay listing for reference. But you can click on the link above to see the original listing which includes more pictures of the uncut sheet.

Uncut sheet for Baby's Ball

Uncut sheet for Baby’s Ball

Patent and manufacturer

Patent and manufacturer

We started with no information on a cute Victorian cloth ball and a vaguely familiar nursery rhyme.  We ended up with a fully described Baby’s Ball (New York : Art Fabric Mills, 1900) which borrows (liberally) from a well-known finger play originally written by Emilie Poulsson in her book Finger plays for nursery and kindergarten, just 7 years before the pattern for the ball was patented. In short, it was a fun day at Cotsen doing research on collections material.

Purely for your edification, I’ve embedded a video performance of the finger play as well:

This video comes from the YouTube channel WCCLS Birth2Six, where a few more finger plays have also been acted out.