What Future Presidents Read: Little John Quincy Adams and “Giles Gingerbread”

Portrait of John Quincy Adams, 5th president of the USA.In  What The Presidents Read, Liz Goodenough and Marilyn Olson wondered:

A childhood book is much more than just a story—for presidents, it may represent a turn in the course of history.  Did John F. Kennedy’s early love of Billy Whiskers, a goat who roved the United States bashing down doors and anyone in uniform, help pave his road to Camelot?  The favorite readings of presidents can shape a generation, rising in stature like national legends or be completely forgotten.

Almost completely forgotten is the penny pamphlet Renowned History of Giles Gingerbread, a little Boy Who Lived on Learning, a particular favorite of our fifth president, John Quincy Adams.  It was first published in London by John Newbery in 1767.  Perhaps five London editions issued between 1764 and 1782 exist; the survival rate is a little higher for reprints by provincial and American printers. The text was illustrated with sixteen wood cuts–one every other page, which was very generous for such a cheap pamphlet—and they illustrated specific passages in the text.  The publisher’s binding would have been Dutch floral gilt wrappers.  The pretty paper branded those books as appropriate for younger readers.

Title page spread of the penny pamphlet for children The Renowned History of Giles Gingerbread with a frontispiece of the character Gaffer Gingerbread holding up a gingerbread hornbook.Abigail Adams, the mother of the future sixth president, John Quincy Adams,  said he could recite it from memory.   We don’t know how old her boy was when he performed this feat because she mentioned it in a letter written when John was grown up.  The anecdote is still solid gold because evidence about the reading of very young children is hard to come by, even in families in which the parents were highly involved in their children’s education. The Adamses thought a lot about their boys’ reading and Abigail sent amusing stories about their progress.  John might write back with a message, like this one for John Quincy: “Tell him I am glad to hear he is so good a Boy as to read to his Mamma for her Entertainment and to keep himself out of the company of rude children.”

For an easy reader, The Renowned History of Giles Gingerbread was rather unusual and it seemed peculiarly suited to make an impression on John Quincy.  Its contents were miscellaneous, but not divided up into sections of instruction and reading passages.  In fact, it contained no direct instruction such as syllablaries.  Could certain ideas in the bookseller’s preface caught Abigail’s eye?

The Reader perhaps may be so unreasonable as to expect an Account of the Birth, Parentage and country of our Hero.  If he does, I can assure him he will be disappointed.  There are circumstances which he has no Right to be informed of; for a good Man may be born any how; and anywhere; of any Parents, and in any Country…If a Man is a good Man and an honest Man, it is no Matter where he was born, and if those we have lately made such a Noise about Country and Party to Gaffer Gingerbread, he would have knocked their Heads together for being such boobies.Little boy hitching a ride on the rear wheels of a coach with a man riding inside.The pamphlet’s heart is the exemplary story of Gaffer Gingerbread’s son Giles.   When the little ragged boy jumps on the back of Sir Toby Thompson’s coach. his father calls him over, not because it was dangerous but because “You want to get up to the coach, but you are climbing at the wrong place, Giles; you should endeavor to get in at the door.” But poor folks can’t do that, protests Giles. Not true, says his father: “A poor man or a poor boy may get a coach, if he will endeavor to deserve it.  Merit and Industry may intitle a Man to anything.

He explains to tells Giles how little Toby rose above his station. through hard work, strict honesty, and attention to his master’s interests to become a wealthy man with a fine coach Two jockeys riding horses in a race. (this is an example of John Newbery’s “coach and six morality).  When the merchant Mr. Goodwill saw how carefully Toby babysat his siblings, while his mother was off working, he sent him to school to learn to read and write, then brought him to London as a servant. Unfortunately, Mr. Goodwill paid more attention to race horses than his business and left himself open to fraud.  After Giles discovered that a fellow servant had robbed their master, he informed Goodwill in an anonymous letter because it was his duty towards the man who had been a second father to him.  When Giles revealed himself as the letter’s author, Goodwill was so grateful that Toby was made his business partner and heir to his fortune.

With the story ringing in his ears, Giles begs his father to teach him to read so he too can become a great man.  Being the son of a gingerbread baker who sold useful knowledge by the pound, he had easy access to the traditional educational aides of gingerbread alphabet letters and hornbooks mentioned in works by Matthew Prior, Thomas Tickell, and Tobias Smollett. Gaffer Gingerbread giving his son Giles a reading lesson under a tree. Perching Giles on his lap, Gaffer Gingerbread took out of his pocket a gingerbread alphabet. To draw Giles into the task, his father exclaims that “all the Words in the World” can be made with these 24 letters.  When Giles laughs in disbelief, his father demonstrates the truth of the proposition by spelling a short and a long word, then letting Giles try his hand.  Giles gleefully runs through the letters in a little alliterative prose poem: “Mr. B, I should be a Blockhead if I did not know you—C, C, C, I shall know you Mr. C indeed, and so will every Boy that loves Custard—D, D, D, Drum and Dumpling will make me know you Mr. D.—E, E, E, Eggs and Eel Pye forever.” When Giles named the gingerbread letter, his father gave him permission to eat and that is how he “lived on learning.”

Giles Gingerbread walking outside reading from his gingerbread hornbook.Obedience, not rewards of food, was Giles’ true motivation to learn.  His father’s wish was his command, whether it was putting the escaped pig back in the style or learning the lesson set for him. This, the narrator observes, was critical to his subsequent success. With his feet set on the right path by his gaffer, Giles soon attracts the attention of Sir Toby Thompson, who takes him to London in his coach.  “We have heard nothing of him,” says the narrator, but his father declares that he is sure Giles will behave so well as to get Coach of his own.” Gaffer the small businessman understood as clearly as John Adams the value of education.  The child who learned to read, acquired the habits of obedience, hard work, and scrupulous honesty would accumulate a degree of merit that would inspire confidence and trust in worthy people.

In spite of the disparity in social circumstances, littIe John Quincy may have identified more closely with Giles than Dick Whittington, thrice lord mayor of London.  With no father to guide him, the orphan Dick, knew to obey his master and the cruel cook who ordered him perform the dirty work in the scullery. But luck was a more powerful factor in Dick’s rise than love of learning or hard work.  He gives his only possession, the cat who has kept the vermin population down in his room, hoping to make a return on the investment when his master’s ship comes home. It was the steward’s bright idea to present Puss to the foreign king and queen to destroy all the vermin which overran their dinner every night, there being no mousers there.  The royals pay the steward handsomely for the cat and he turns over the money to Dick.  Would he have been more displeased than delighted by Perrault’s  Master Cat, who pulls strings so that his penniless owner marries the king’s daughter without proving anything beyond he was very handsome.

At age ten, John Quincy gave his opinion of the picaresque novel Bamfylde Moore Carew to his father.  The rogue Moore was a hero to many boys, but not John Quincy–what he liked best was the travel writing.  He had internalized his father’s high-mindedness by scorning injustice, ingratitude, cowardice, and falsehood.   John Quincy was a chip off the “old iceberg” and of old Gaffer Gingerbread.

 

Banned Books 101: Teaching Toddlers, Preschoolers, and Early Elementary Grades about the Right to Read

Baby’s First Book of Banned Books. New York, NY: Mudpuppy, [2023]. (Cotsen)

Back in the trenches this week to review some recent picture books introducing younger readers to the concept of censorship.  Liberal values and a clever concept will get a project off and running, but good intentions may not be enough to avoid the potholes, such as explaining why it can happen, what is at stake, and how it might affect them.

Baby’s First Book of Banned Books.

All these ideas are great topics. but probably not age-appropriate in a  board book modeled on the Baby Lit series.  “In this colorful celebration of groundbreaking books that have appeared on ‘banned’ book lists, little readers get a glimpse into the books’ important themes,” gurgles the blurb.  In Baby’s First Book of Banned Books, the little rebel-in-the-making is supposed to engaged with the six- to seven- word restatements of the book’s themes illustrated by Laura Korzon. “ I have gifts that are special” sums up Lois Lowry’s chapter book The Giver (1993) versus “My friends can help when I’m sad or scared” for YA novel Stephen Chbosky’s The Perks of Being a Wall Flower  (1999).  Compare with “We’re not so different you and me” for Khaled Hosseini’s novel The Kite Runner (2003) or “I am beautiful” for Toni Morrison’s The Bluest Eye (1970).  The glossary provides parents with scripts and talking points so that they can deftly avoid telling their preliterate children all about the subjects that got the books banned in the first place such as rape, heavy recreational drug use, trauma, mental illness, and the oppression of minorities.  Hopelessly idealistic? Tone deaf? Or cynical?

In 2018, Raj Haldar, aka Philadelphia rapper Lushlife, hit the jackpot as the coauthor of  P is for Pterodactyl: The Worst Alphabet Ever, showing why it’s easier to learn to read than spell in English.  With 26 letters, 45 sounds and over 250 ways to put them together, there are too many choices and too many rules.   An exasperating subject that lends itself to humor, but is the same true for book banning?

This Book is Banned. Naperville, Illinois: Sourcebooks eXplore, 2023. (Cotsen Q-001895)

Haldar and illustrator Julia Patton in This Book is Banned (Naperville, IL: Sourcebooks eXplore, 2023) fool around with a silly narrator and cook up squirrelly reasons for chopping things out of a book.  The cover, end papers, and title page warn the reader to keep it closed up tight. The narrator, when confronted with the prospective disobedient reader, says go ahead, turn the page and see how easy it is to cancel any subject—giraffes, dinosaurs, avocados and beds without monsters underneath.

For example, no can have the story of the Big Bad Wolf because somebody–not  you, dear  reader– was scared and so the big hairy beast was changed into a sweetie pie. The last page announces that “we banned everything and there’s no ending left to read.”  The way Haldar and Patton break the fourth wall makes for a couple of fun read alouds,  but it won’t be much of a resource if the adult has to explain why book banners are turning up the pressure on the school librarian.  The presence of giraffes and avocados in children’s books aren’t as likely to be on the school board’s agenda as sex and drugs.

The Great Banned-books Bake Sale. Thomaston, Maine: Tilbury House Publishers, [2023]. (Cotsen)

The Great Banned-books Bake Sale.

In The Great Banned-Books Bake Sale, Aya Khalil tries to make an attempt to ban books in an elementary school library real for children that age.  The protagonist is Kanzi, the Egyptian immigrant girl in Khalil’s first book The Arabic Quilt (2020). Kanzi and her class go to the library where they are told the diverse books have been removed on the order of the school board over the objection of the school librarian who acquired them. The children don’t understand what could possibly be wrong with the beautiful books they like because they show “people of many identities, backgrounds, and walks of life.”

The principal and librarian urge them to fight for their right to read and the children hit on the idea to hold a bake sale of goodies mentioned in banned books within a few days.  The proceeds will go towards the purchase of replacement copies of books about families like theirs.  When the treats have been sold, the TV cameras arrive in time to film the peaceful demonstration urging the reversal of the ban. Kanzi finds the courage to read aloud her poem “Books are for everyone.  Am I not important?  Am I invisible?”   The school board backs down a week later and the diverse books are reinstated in the classroom.

The Great Banned-books Bake Sale.

An Arab Muslim-American mother, Khalil strongly advocates that black, brown, Asian, Native American, and immigrant (but not LGBTQUIA) children have access to “affirming, inclusive books” in this optimistic story where the characters agree wholeheartedly on what is right (and puffs Khalil’s Arabic Quilt in several places).  Without the opposition coming on stage to voice alternative values, the nature of social conflict and resolution was presented standing up for a set of beliefs without having discussions and negotiations with those holding alternative views. Khalil and her illustrator Anait Semirdzhyan chose in The Great Banned-Books Bake Sale to light the spark of democratic participation by showing the children triumphing over authority on the first try.  Their goal in writing this story was a worthy one, but it underscores why 32-page picture books may not be the best vehicles for explanations of political processes.

Banned Book. Mankato, Minnesota: Creative Editions, 2023. (Cotsen Q-001900)

There is nothing sunny or optimistic about the treatment of censorship in Banned Book by Jonah Winter, a noted author of non-fiction picture books.    Few of the Amazon reviewers disliked the book, saying it was relevant and important because of its subject.  Winter’s text is redacted : words, phrases, and sentences have been blacked out supposedly to protect the reader from dangerous content. Almost everyone with a comment about the graphic design seemed to agree that as an visualization of the process of censorship, it was better suited for older children, who probably still would have difficult questions with an adult.

(Cotsen Q-001900)

The selective blacking-out  of the text  creates intriguing patterns on the page without interrupting the flow of meaning because no text was actually been excised, as is quite clear on the last two pages.  In spite of the black lozenges marching across line after line, the message is unequivocal: “they claim that they only want to protect children when what they really want is power over everyone, because they don’t believe other people have the right to think for themselves.  What had been a book was not just garbage decomposing, turning into dirt.”   Would the same exercise driven the same point home more forcefully to young readers if the text had been a familiar fairy tale like “Cinderella” or “Red Riding Hood” where they could have puzzled out the missing bits of text and explain how their absence affected them?

(Cotsen Q-001900)

Illustrator Gary Kelley’s grainy pictures are dominated by shades of blue-gray, slate blue, and grayish lavender, with occasional highlights of tans and pale oranges.  The palette is perhaps meant to communicate the idea that the battle has already been lost in the classroom and school library.  On the first page, a boy furtively looks into a book, as if he expects to be caught and a few pages later is a staring eye peering at a page through a magnifying glass looking for objectionable material.   Children sit mute in class, books open, their hands raised to answer a question to which there is only one answer. Hot red appears only in the two illustrations of the book banners and the devils on the cover.  The association of  the book banners with red sends mixed signals,  its contemporary associations with MAGA clashing with older left-wing ones such as Socialism and Communism.  Of this dystopian picture book, the one Amazon reviewer to give the book one star said, “A bit too stylized and dark for me. As for the text—I’m all for guiding kids to appropriate books and helping them process the difficult ones, but this book (as much as I was able to stomach) came across as bitter, didactic, and self-righteous.”

No denying how wonderful it is that Haldar, Khalil, and Winter all elevate librarians for standing up for children’s right to read in the face of challenges by administrators, parents, and outside organizations, even if  they perpetuated a tired old visual stereotype… From the perspective of a professional with the luxury of buying books capturing the contemporary moment for future readers to study, it is hard to gauge if they can be effective teaching tools with the support of a thoughtful adult or if their presence on the shelves will be more successful in pouring oil on the fire in the struggle for control over curriculum and supporting resources.

(Cotsen Q-001895)