What Future Presidents Read: Little John Quincy Adams and “Giles Gingerbread”

Portrait of John Quincy Adams, 5th president of the USA.In  What The Presidents Read, Liz Goodenough and Marilyn Olson wondered:

A childhood book is much more than just a story—for presidents, it may represent a turn in the course of history.  Did John F. Kennedy’s early love of Billy Whiskers, a goat who roved the United States bashing down doors and anyone in uniform, help pave his road to Camelot?  The favorite readings of presidents can shape a generation, rising in stature like national legends or be completely forgotten.

Almost completely forgotten is the penny pamphlet Renowned History of Giles Gingerbread, a little Boy Who Lived on Learning, a particular favorite of our fifth president, John Quincy Adams.  It was first published in London by John Newbery in 1767.  Perhaps five London editions issued between 1764 and 1782 exist; the survival rate is a little higher for reprints by provincial and American printers. The text was illustrated with sixteen wood cuts–one every other page, which was very generous for such a cheap pamphlet—and they illustrated specific passages in the text.  The publisher’s binding would have been Dutch floral gilt wrappers.  The pretty paper branded those books as appropriate for younger readers.

Title page spread of the penny pamphlet for children The Renowned History of Giles Gingerbread with a frontispiece of the character Gaffer Gingerbread holding up a gingerbread hornbook.Abigail Adams, the mother of the future sixth president, John Quincy Adams,  said he could recite it from memory.   We don’t know how old her boy was when he performed this feat because she mentioned it in a letter written when John was grown up.  The anecdote is still solid gold because evidence about the reading of very young children is hard to come by, even in families in which the parents were highly involved in their children’s education. The Adamses thought a lot about their boys’ reading and Abigail sent amusing stories about their progress.  John might write back with a message, like this one for John Quincy: “Tell him I am glad to hear he is so good a Boy as to read to his Mamma for her Entertainment and to keep himself out of the company of rude children.”

For an easy reader, The Renowned History of Giles Gingerbread was rather unusual and it seemed peculiarly suited to make an impression on John Quincy.  Its contents were miscellaneous, but not divided up into sections of instruction and reading passages.  In fact, it contained no direct instruction such as syllablaries.  Could certain ideas in the bookseller’s preface caught Abigail’s eye?

The Reader perhaps may be so unreasonable as to expect an Account of the Birth, Parentage and country of our Hero.  If he does, I can assure him he will be disappointed.  There are circumstances which he has no Right to be informed of; for a good Man may be born any how; and anywhere; of any Parents, and in any Country…If a Man is a good Man and an honest Man, it is no Matter where he was born, and if those we have lately made such a Noise about Country and Party to Gaffer Gingerbread, he would have knocked their Heads together for being such boobies.Little boy hitching a ride on the rear wheels of a coach with a man riding inside.The pamphlet’s heart is the exemplary story of Gaffer Gingerbread’s son Giles.   When the little ragged boy jumps on the back of Sir Toby Thompson’s coach. his father calls him over, not because it was dangerous but because “You want to get up to the coach, but you are climbing at the wrong place, Giles; you should endeavor to get in at the door.” But poor folks can’t do that, protests Giles. Not true, says his father: “A poor man or a poor boy may get a coach, if he will endeavor to deserve it.  Merit and Industry may intitle a Man to anything.

He explains to tells Giles how little Toby rose above his station. through hard work, strict honesty, and attention to his master’s interests to become a wealthy man with a fine coach Two jockeys riding horses in a race. (this is an example of John Newbery’s “coach and six morality).  When the merchant Mr. Goodwill saw how carefully Toby babysat his siblings, while his mother was off working, he sent him to school to learn to read and write, then brought him to London as a servant. Unfortunately, Mr. Goodwill paid more attention to race horses than his business and left himself open to fraud.  After Giles discovered that a fellow servant had robbed their master, he informed Goodwill in an anonymous letter because it was his duty towards the man who had been a second father to him.  When Giles revealed himself as the letter’s author, Goodwill was so grateful that Toby was made his business partner and heir to his fortune.

With the story ringing in his ears, Giles begs his father to teach him to read so he too can become a great man.  Being the son of a gingerbread baker who sold useful knowledge by the pound, he had easy access to the traditional educational aides of gingerbread alphabet letters and hornbooks mentioned in works by Matthew Prior, Thomas Tickell, and Tobias Smollett. Gaffer Gingerbread giving his son Giles a reading lesson under a tree. Perching Giles on his lap, Gaffer Gingerbread took out of his pocket a gingerbread alphabet. To draw Giles into the task, his father exclaims that “all the Words in the World” can be made with these 24 letters.  When Giles laughs in disbelief, his father demonstrates the truth of the proposition by spelling a short and a long word, then letting Giles try his hand.  Giles gleefully runs through the letters in a little alliterative prose poem: “Mr. B, I should be a Blockhead if I did not know you—C, C, C, I shall know you Mr. C indeed, and so will every Boy that loves Custard—D, D, D, Drum and Dumpling will make me know you Mr. D.—E, E, E, Eggs and Eel Pye forever.” When Giles named the gingerbread letter, his father gave him permission to eat and that is how he “lived on learning.”

Giles Gingerbread walking outside reading from his gingerbread hornbook.Obedience, not rewards of food, was Giles’ true motivation to learn.  His father’s wish was his command, whether it was putting the escaped pig back in the style or learning the lesson set for him. This, the narrator observes, was critical to his subsequent success. With his feet set on the right path by his gaffer, Giles soon attracts the attention of Sir Toby Thompson, who takes him to London in his coach.  “We have heard nothing of him,” says the narrator, but his father declares that he is sure Giles will behave so well as to get Coach of his own.” Gaffer the small businessman understood as clearly as John Adams the value of education.  The child who learned to read, acquired the habits of obedience, hard work, and scrupulous honesty would accumulate a degree of merit that would inspire confidence and trust in worthy people.

In spite of the disparity in social circumstances, littIe John Quincy may have identified more closely with Giles than Dick Whittington, thrice lord mayor of London.  With no father to guide him, the orphan Dick, knew to obey his master and the cruel cook who ordered him perform the dirty work in the scullery. But luck was a more powerful factor in Dick’s rise than love of learning or hard work.  He gives his only possession, the cat who has kept the vermin population down in his room, hoping to make a return on the investment when his master’s ship comes home. It was the steward’s bright idea to present Puss to the foreign king and queen to destroy all the vermin which overran their dinner every night, there being no mousers there.  The royals pay the steward handsomely for the cat and he turns over the money to Dick.  Would he have been more displeased than delighted by Perrault’s  Master Cat, who pulls strings so that his penniless owner marries the king’s daughter without proving anything beyond he was very handsome.

At age ten, John Quincy gave his opinion of the picaresque novel Bamfylde Moore Carew to his father.  The rogue Moore was a hero to many boys, but not John Quincy–what he liked best was the travel writing.  He had internalized his father’s high-mindedness by scorning injustice, ingratitude, cowardice, and falsehood.   John Quincy was a chip off the “old iceberg” and of old Gaffer Gingerbread.

 

Gingerbread Alphabets and Books: “Useful Knowledge by the Pound”

walnutbinding

The front board of Neues Pfefferkuchen-ABC fuer artige Kinder. Stuttgart: Lowes Verlag Ferdinand Carl, ca. 1907. (Cotsen 72959)

After a really aggravating day, there probably isn’t a teacher alive who hasn’t wished that the human mind absorbed knowledge like a sponge soaks up water.  Crafty teachers devise strategies that just might make learning this or that easy.  Supportive publishers have been known to design children’s books that look like rewards for cooperating.  One of my favorites is shown above, with its binding that looks like a tasty big cookie topped with split almond halves.  Its title?  Die neue Pfefferkuchen-ABC, which can be loosely translated as The New Gingerbread ABC (“pfefferkuchen” being another name for “lebkuchen,” the German spiced honeycakes topped with chocolate icing traditional at Christmas time).

pearsandbears

The plate for the letter B in Neues Pfefferkuchen-ABC. (Cotsen 72959)

Many cultures try to associate the sweet with mastery of the letters of the alphabet.  For example, Alberto Manguel describes a medieval Jewish initiation rite in which the teacher wrote a passage from the Bible on a slate and read it aloud to his pupil. The boy repeated them and if he did it correctly, was allowed to eat the holy words once the slate was spread with honey as a reward (thanks to Lissa Paul for this anecdote).

gaffer

The frontispiece to The Renowned History of Giles Gingerbread: A Little Boy Who Lived Upon Learning. London: Printed for T. Carnan, 1782. (Cotsen 6721)

A time-honored way of encouraging literacy in early modern England was to offer letters or hornbooks made of gingerbread as an inducement to learn their ABCs more quickly.   Above Gaffer Gingerbread invites children to spend their pocket money wisely on cakes that will “feed the Little Folks, who are good,/ At once with Learning and with Food.”

abcmolds

A mold for a cookie hornbook and a cast from it. The letters could easily be cut apart into little tiles for spelling practice. The letterforms suggest that the mold is probably not more than one hundred years old.

At home, the conscientious  gaffer took charge of inspiring his own little reluctant learner Giles, which was not all that difficult.   By profession a gingerbread baker, the gaffer made his son a special gilt-covered, spicy “book.”

giles-gingerbread-bookWhile the gaffer’s presentation of a table of two-letter syllables was novel, the truth is that any primer then contained such a chart, which helped children take a critical first step in learning to recognize and sound out combinations of letters.  The eighteenth-century references to gingerbread letters, alphabets and books I’ve found don’t offer any evidence that such a thing was actually available.

The “book” as pictured would have been quite unwieldly.  It probably would have broken apart with normal handling–like nibbling a corner as a reward for learning a little bit.  Size may not have been as much as a problem as we think, because the gingerbread kings and queens sold at fairs could be quite large and detailed, if the surviving molds are any indication.  The real test was carving the letters deep enough in the mold so that they would emerge from the oven sharp and legible.  Using a very stiff dough with no eggs or butter would have helped.

giles-with-book

This is Giles holding a gingerbread hornbook that is not anywhere as large as the one his father made for him. Page [31] in Cotsen 6721.

 Another curious discovery I made researching this post was that neither Cotsen’s 1779 nor 1782 edition of Giles Gingerbread has the diagram of the gingerbread syllabary.  Both pamphlets are complete.  Missing pages wouldn’t be all that surprising for one of the most famous Newberys: it was first published around 1765 by John Newbery, the stepfather of Carnan, the publisher of the Cotsen copy.

The syllabary is present in the earliest known edition of Giles Gingerbread circa 1766 in the British Library, which can be accessed via Eighteenth-Century Collections On-line.  I’m guessing the copy in Norwich, which is dated to 1764, also does.   Very few copies of any British edition of Giles Gingerbread survive, having been read (not eaten) to pieces, so it is difficult to determine when and why the syllabary was dropped.  Digital copies of the American piracies from the 1760s and 1770s don’t have it either.

The diagram was probably just a bit of complicated typesetting that could be cut.  It slowed down the story, to tell the truth.  But it is amusing to imagine that children who had read Giles Gingerbread pestered their parents for a hornbook just like it and the beleaguered publisher removed the offending passage to keep peace with gingerbread and pastry bakers all over Great Britain!  Don’t quote me on that–it’s pure fantasy.

hornbookabc

An antique mold for a gingerbread hornbook that looks something like the one Giles is holding.