FLYING OCTOPUS ATTACKS GIRL IN FLORIDA!

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Frank Leslie’s Boys’ and Girls’ Weekly. New York: F. Leslie, 1879. (Cotsen 151015)

This alarming incident in St. Augustine, Florida, was reported in the 24 May 1879 issue of Frank Leslie’s Boys’ and Girls’ Weekly.  A slightly abridged transcription of the article follows.

“A Flying Monster: Miss Bigly’s Thrilling Adventure in Florida”

I arrived in this quaint old Spanish town a few weeks since in quest of quiet lodgings, which I desire for my own personal uses during the coming season.  There is but little life stirring within the crumbling walls of this old-time citadel; indeed, its architecture, its inhabitants and its customs properly belong to the seventeenth century and it is for one who has but recently emerged from amidst the stirring events constantly occuring in our Northern cities to consider that he is still, in the nineteenth century, within the borders of progressive America….

But to my intents.  My purpose in writing at this time is to furnish you with the details (in brief) of a very romantic, yet thrilling, incident, occurring recently to a young lady from the North, Miss Martha Bigly, who had been sojourning for some days at Olustee Bar, some eighteen miles south of this place.  The hectic flush, that sign of that dread disease, consumption, had supplanted the roseate hue of health upon her fair cheeks, and she had sought this balmy, sun-girdled clime in the hope of regaining that priceless boon–good health.

One bright sunny afternoon, while engaged in strolling along the pebbled beach, picking up fantastically-carved shells that had been washed up from the great mysterious laboratory of the sea, and listening to the waves rolling quietly upon the shore, producing sweet cadences of contentment and peace, she espied what at first appeared to her to be a beautifully-colored shell floating upon the surface of the sea.  Being protected at the feet by a pair of rubber boots, she boldly advanced into the surf and reached out her sun umbrella to aid her in securing the coveted prize, when to her utter horror, this seeming inert object suddenly became a thing of life; the shell-like appearance changed in an instant to that of a monster; long slimy claws were thrown around about a pulpy sac-like body, and with a bound it ascended into the air and hovered around the head of its intended victim.

Being momentarily stunned by the sudden transformation, and horrified by the revolting aspect of this hideous object, she did but parry its onslaughts with her umbrella, and that inconspicuously, retreating to a rock where she stood at bay until the baffled monster returned to the sea and disappeared.  So unexpected was the attack and so revolting the sight of the fish to one of her delicate frame and extreme nervous sensibilities, that it was some days afterward before she regained her wonted composure.

The fish that caused this consternation is known among scientists as the argonauta, a species of the devil-fish indigenous to the waters of the tropics, and ’tis of rare occurrence that it strays away from that latitude, at least so far north as off the coast of Florida.  The power of the propulsion through the air is a rare one with the argonauta, but it undoubtedly exists in some species.  I sent you a sketch of the thrilling incident.—Yours, Invalid.

APRIL FOOLS!

For other flying things in the collection, take a look at the Cotsen virtual exhibition on kites

Lady Diana Beauclerk Draws a Travelling Zoo

Before the establishment of zoological gardens in the early nineteenth century, people living outside of London with its Tower Menagerie were unlikely to have the opportunity of seeing large exotic animals unless the proprietor of a travelling menagerie rolled into town.  George Wombwell (1777-1850) was the greatest of them all.   Around 1810 he began touring the seasonal fairs, where it was easy to gather a crowd.    Eventually he had three units, each with its brightly painted wagons and brass bands, covering the circuit.

Cotsen recently acquired a late eighteenth-century drawing by Lady Diana Beauclerk that documents the visit of a travelling menagerie to an unspecified location in the English countryside.   Perhaps the animal show of Gilbert Pidcock, which was on the road in the late 1700s, is depicted here, although there is no way of being sure because the wagon has no identifying marks.   The showman gestures with his staff towards the enormous lion, whose head seems to be lowered, possibly exhausted after a long bumpy ride on bad roads.  Wonder and awe, not fear, animate the faces in the little crowd standing a safe distance from the creature’s cage on wheels.  At least two little ones are being held up so they won’t miss seeing the noble beast.

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Lady Diana Beauclerk, ” A travelling menagerie.” ca. 1790? (Cotsen). Provenance: Theodore Besterman-Paula Peyraud.

The drawing is signed “D.B.” in the lower left hand corner and “D:B:” below the border in the middle.  Those initials belong to the one the most celebrated amateur woman artists of the period: Lady Diana Beauclerk (1734-1808), daughter of the Honorable Elizabeth Trevor and Charles Spencer, 3rd Duke of Marlborough.  She also has the distinction of being the first of the celebrated Di Spencers.

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Sir Joshua Reynolds’ 1768 portrait of Lady Diana.

A number of her drawings survive and perhaps this one of the travelling menagerie  is related to others she did on popular entertainments: one of a showman with dancing bears, and another of street musicians.  While there is no reason to think Lady Di drew any of them for the delight of her children or grandchildren (nor is there any evidence they were intended as illustrations for a book, much less a children’s book),  the drawings open a window on the experiences of children in the late Georgian period.

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Lady Diana Beauclerk, “A performing bear” ca. 1790. The showman is jabbing the bear to make it dance. There is a second bear with a monkey on its back to the left. A trumpeter, who probably played to gather an audience, stands with his back to the wall. Lydiard House, Swindon, Wiltshire.

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Lady Diana Beauclerk, “Street musicians” ca. 1790. The young woman is playing a hurdy-gurdy to the accompaniment of a tambourine. In the background a man is operating a peep show for two young customers.

Who was the artist of these charming drawings?   Lady Diana would have been notorious even if she had not been part of the fast set of Georgiana, Duchess of Devonshire.   Beauclerk has probably been the inspiration for many characters in Regency romances…  Dr. Johnson dismissed Lady Di as a “whore”  but Edmund Burke was more forgiving on account of her two dreadful marriages, the first to the dissolute womanizer Frederick St. John, 2nd Viscount Bolingbroke, who succeeded in divorcing her for adultery on the third try in 1768.   Diana may not have felt the need for absolute discretion when her husband was rarely home at night.

Two days after the divorce was final, she married her long-time lover Topham Beauclerk.  He should have been an improvement over Bolingbroke, as  the great-grandson of Charles II, a friend of Horace Walpole and Dr. Johnson, a wit, and notable book collector.  But his personal hygiene was as appalling as his temper and Lady Di was frequently the victim of his rages.  Even his friends said Topham was so filthy that it was possible to catch lice from his wig.

After Topham’s death in 1780s, Lady Di’s life must have improved dramatically, now that she was the mistress of a pleasant small house, a regular income, and peace to devote to a range of artistic pursuits.   Probably her best known works are the designs she executed for Josiah Wedgewood, which were used on plaques, jugs, and other ceramic pieces.

Plaque,_modeled_by_Lady_Diana_Beauclerk_(1734-1808)_-_Wedgwood,_undated_-_Brooklyn_Museum_-_DSC09014She also created a series of nine drawings which were inset in the door of an elaborate ebony cabinet that Horace Walpole commissioned from Edward Edwards.

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The Beauclerk cabinet, originally in the Great North Bedchamber, Strawberry Hill. Lewis Walpole Library, Yale University.