Illustrations and Toys Inspired by K. J. Erben’s “Dlouhý, Siroký a Bystrozraký” (High, Wide, and Cleareyed)

“Dlouhý, Široký a Bystrozraký” is a popular Czech folk tale by Karel Jaromír Erben (1811-1870), a celebrated historian, poet, and writer.  The title is variously translated as: “Tall, Broad, and Keen,” or “Mr. Long, Mr. Broad, and Mr. Sharpeye,” or (my favorite) “High, Wide, and Cleareyed.”   The plot is a familar one, better known in the versions in the Grimms’ Kinder-und-Hausmaerchen or Andrew Lang’s Grey Fairy Book (Aarne-Thompson-Uther tale type 513A).

Recently Cotsen acquired toys of the three titular characters!

9. 3 toys

Dlouhý, Široký a Bystrozraký. Brno: Umělecko-řemeslné dílny B. Čermáka, ca. 1920 (Cotsen)

They were manufactured in the Czech city of Brno by Umělecko-řemeslné dílny Bohumira Čermáka (Applied-arts workshop of Bohumira Čermáka) in the 1920’s. The figures are an excellent example of the Vienna Secession aesthetics going beyond  Austria, and outside of mainstream art mediums (this latter boundary being one which the movement was especially interested in challenging).

High, leaning on his staff for support

High, leaning on his staff for support

Wide, but not too wide

Wide, but not too wide

Cleareyed, unfortunately he is missing the feather in his cap

Cleareyed, unfortunately he is missing the feather in his cap.

Since the acquisition of these wonderful toys, I looked to see Cotsen had any versions of Erben.  As usual, the collection did not disappoint. We found several brilliantly illustrated books and even an English translation of the tale.

0. all books

from left to right: 33915, 65127, 15156, 28474, 30828

The first book in the picture is a collection of Erben stories translated into English by Dora Round called The Fire Bird and Other Selected Czech Folk and Fairy Stories (London : P.R. Gawthorn, 1943) illustrated by Emil Weiss. The next book is Der Lange, der Dickbäuchige und der Scharfäugige, a German language retelling of “High, Wide, and Cleareyed,” strikingly illustrated by Květa Pacovská (Prague : Artia Verlag,1979). Then comes a Czech collection of Erben tales: Erbenovy pohádky, illustrated by Jiří Trnka (Prague : Melantrich, 1940). České pohádky is next, written by Erben and illustrated by Artuš Scheiner (Prague : Českomoravské podniky tisařské a vydavatelské, 1926). And last comes Povídám, povídám pohádku, including stories by Erben and other authors this book is illustrated by Rudolf Adámek (Prague: Ústřední nakladatelství a knihkupectví učitelstva československého, 1929).

Below is a brief retelling of the classic Czech folktale (paraphrased from Round’s translation), complete with numerous illustrations from the sources above:

The story opens with an aged king and his only son. Since the king is old, he requests that his son marry soon, before he dies. The prince is eager to wed and make his father happy but he doesn’t have the slightest idea of who he can marry. The king hands his son a key and instructs him to climb to the top of a tower and from the portraits he finds there, he should select a bride.

The king and the prince, page [1] 28474

The king and the prince, page [1]. České pohádky. Díl II. Praha: Českomoravské podniky tisařské a vydavatelské, 1926 (Cotsen 28474)

In the tower the prince finds twelve magical portraits of crowned maidens, each one beckoning towards him. They are all very beautiful, but behind a white curtain the prince finds the most beautiful of them all, but she is dressed all in white and looks pale and sad. The prince chooses her as his bride and informs his father who is immediately unhappy. The king explains that that particular maiden is imprisoned by an evil wizard. Many have tried to rescue her before but none have returned (of course).

The tower page [2] 28474

The tower, page [2] (Cotsen 28474)

Behind the curtain page 88 33915

Behind the curtain, page 88. The Fire Bird and Other Selected Czech Folk and Fairy Stories. London: P.R. Gawthorn, [1943] (Cotsen 33915)

 

 

 

 

 

 

 

 

 

At the start of the prince’s quest for his bride, he quickly gets lost in the woods. But he runs into High, who magically stretches taller than the trees and finds the quickest way out of the woods. Next High sees his friend Wide and brings him over. Wide demonstrates that he can expand to huge proportions.

High reaches, page [4] 28474

High reaches, page [4] (Cotsen 28474)

The prince meets Wide, page 18-19 spread 65127

The prince meets Wide, page 18-19 spread. Der Lange, der Dickbäuchige und der Scharfäugige. Praha: Artia Verlag, 1979 (Cotsen 65127)

Next they run into High’s friend Cleareyed, who explains that he must keep his eyes covered because he can see too well, if his eyes are uncovered he can look through objects, burst them into flames, or shatter them to pieces.

The prince’s three new helpers prove invaluable for overcoming obstacles and turning what would otherwise be a very long journey into a single day trip. They arrive inside the wizard’s castle at nightfall, and the drawbridge is drawn-up behind them.

page 11 30828

page 11. Povídám, povídám pohádku. V Praze: Ústřední nakladatelství a knihkupectví učitelstva československého, 1929 (Cotsen 30828)

plate 92 33915

plate 92 (Cotsen 33915)

recto frontispiece 65127

recto frontispiece (Cotsen 65127)

Inside the castle, all the courtiers have been turned to stone. They happen upon the dining room where a lavish feast is prepared, after politely waiting, they decide to dig in. Suddenly the wizard rushes in. He is dressed in a long black robe fastened with three iron clasps at the waist; he is leading the lovely pale maiden, dressed in white and pearls. The wizard explains that the prince can take the maiden only if he can prevent the wizard from stealing her back over the next three nights in the castle. High stretches across the dining room covering all the walls, wide blocks the doorway, and Cleareyed stands vigil in the center. They all fall asleep.

The castle plate 16 15156

The castle, plate 16. Erbenovy pohádky. Praha: Melantrich, 1940 (Cotsen 15156)

The dinner hall, page 15 30828

The dinner hall, page 15 (Cotsen 30828)

When the prince awakes he realizes the maiden has vanished. Cleareyed, however, spots her one hundred miles off, turned into an acorn on a tree in a forest. High stretches to her position and Cleareyed fetches her. She turns back into a woman when she is delivered to the prince. The wizard, naturally, is furious and then one of the iron clasps bursts off. The travelers are left alone again and the prince realizes that everything and everyone inside the castle is frozen in time.

Fetching the acorn page 31 65127

Fetching the acorn, page 31 (Cotsen 65127)

All are turned to stone page [14] 28474

All are turned to stone, page [14] (Cotsen 28474)

 

 

 

 

 

 

 

 

 

Our heroes are charged with watching over the maiden for a second night, they all fall asleep like before. Again the princess is gone when they wake. Cleareyed spots her two hundred miles off, this time turned into a jewel inside a stone, inside a mountain. He and High fetch her again. The furious wizard loses a second iron clasp.

Once again the our heroes are charged with watching over the maiden for a third night, once again they all fall asleep, and once again the maiden has vanished when they awake. Cleareyed spots the princess at the bottom of the Black Sea, as a gold ring inside a shell, three hundred miles away. This time High takes Wide and Cleareyed with him.  High tries to stretch his arm to the bottom of the sea, but he cannot reach. So Wide puffs himself out and then drinks up the Black Sea, and then High can reach the gold ring.

 Retrieving the ring just in time, page 43 65127

Retrieving the ring just in time, page 43 (Cotsen 65127)

The wizard bursts into the dining room triumphantly before the prince’s companions can return. But all of a sudden, the gold ring comes crashing through a window and turns into the princess (Cleareyed had seen the wizard coming and High had thrown the ring from very far away). The wizard curses, his last buckle bursts, and he turns into a crow and flies off.

The crow, page 20 15156

The crow, page 20 (Cotsen 15156)

The whole castle comes to life and time happily resumes. All the residents of the castle thank the prince, but he humbly insists that it is all thanks to High, Wide, and Cleareyed. The prince and princess are married and the wedding lasts three weeks. The prince tries to persuade his new friends to stay and have a comfortable life, but they choose to wander the world helping people instead.

The happy marriage, page 51 65127

The happy marriage, page 51 (Cotsen 65127)

The heroes wander on, page [18] 28474

The heroes wander on, page [18] (Cotsen 28474)

We hope you enjoy these tales, toys, and pictures as much as we do. It’s always a pleasure to discover what gets offered to the collection and what the collection has to offer.

 

Endpapers from Art Nouveau Picture Books

Mr. Cotsen could never pass by a really good example of an Art Nouveau picture book.  At their best, the illustrations, decorations, bindings, and endpapers come together as a whole and I have always thought that appealed to him as a master packager (the original concept for Neutrogena products was all his).   Here are four examples of German, Swiss, and Viennese picture books with especially striking endpaper designs.

Below is volume 3 of Jugendland (1903), a periodical for boys and girls edited by Heinrich Moser and Ulrich Kohlbrunner that was published by the Swiss firm Künzli.  Its binding design, the endpapers, and title page are all executed by illustrator and caricaturist Arpad Schmidhammer (1857-1921). He got his start contributing to annuals like Jugendland and Knecht Ruprecht, but is perhaps better known for his propagandistic picture books like Lieb Vaterland magst ruhig sein.

Front cover Cotsen 18814

Front cover. Jugendland: ein Buch für die junge Welt und ihre Freunde. Zürich: Gebrüder Künzli, [1901-1903]. (Cotsen 18814)

endpapers Cotsen 18814

Endpapers. (Cotsen 18814)

Titlepage Cotsen 18814

Title page. (Cotsen 18814)

The illustrations for the binding, endpapers and title page of Gartenlaube-Bilderbuch der deutscher Jugend (1902), on the other hand, are more uniform in style and subject than those for Jugendland.  The picture on the front board is by Hermann Kaulbach (1846-1909), a well-known painter famous for idealized pictures of children.  No credits are given for the endpapers or title vignette, but someone made sure that the theme of books and reading was repeated on the title page.

Front cover Cotsen 91566

Front cover. Gartenlaube Bilderbuch. Stuttgart: Union Deutsche Verlagsgesellschaft, [1902]. (Cotsen 19596)

Endpapers Cotsen 91566

Endpapers. (Cotsen 19596)

Title page Cotsen 91566

Title page. (Cotsen 19596)

Except for the goblin’s eyes peeking out of the “O,” the cloth boards of O Hastromanvi [The Goblin] (Prague: B. Koči, 1903) by Jožena Schwaigerová are conventional compared with the patterned endpapers.  Both the binding design and endpapers contrast sharply with the rather severe title page, with the bold type cutting deeply into the thick paper.  Whoever drew the repeat of frogs and pearls is not identified, so perhaps it was also the work of the Bohemian illustrator Hanus Schwaiger (1854-1909) who did the delightfully creepy pictures for the story.

Front cover Cotsen 44194

Front cover. O Hastrmanovi. Praze: B. Kočí, [1903]. (Cotsen 22067)

Endpapers Cotsen 44194

Endpapers. (Cotsen 22067)

Title page Cotsen 44194

Title page. (Cotsen 22067)

There’s a frog prince on the front board of Ernst Dannheiser’s Miaulina: Ein Märchenbuch für kleine Kinder (Cologne: Schaffstein, 1902), but he hasn’t got any pearls on his crown. Illustrator Julius Diez (1870-1953) let his imagination run wild in this collection of fairy tales. In the book, the tales are told to an industrious little girl by the cat Miaulina, who is shown with a satchel over one shoulder. There is the repeat of the pine tree men and red squirrels on the endpapers, an added illustrated title page where Miaulina eyes little mice watering the garden, and title page dominated by the figure of a fantastically dressed Moorish slave boy, who bears Miaulina on a pillow amidst a riot of exotic birds.  And I left out the illustrated vignettes of the poor veteran mouse begging in the cold and the jaunty little fellow riding a rooster, not to mention the frame of mice, beetles and weird rootmen enclosing the table of contents!

Front cover Cotsen 150184

Front cover. Miaulina. Köln a. Rh.: Schafstein & Co., [1902]. (Cotsen 34365)

Endpapers Cotsen 150184

Endpapers. (Cotsen 34365)

Decorative title page Cotsen 150184

Decorative title page. (Cotsen 34365)

Title page Cotsen 150184

Title page. (Cotsen 34365)

These exuberant picture books may be over the top, but their packaging gives contemporary bindings of laminated boards, or sober cloth backstrip and boards covered in a contrasting color, a run for their money…